[OBJECTIVE]
Create a type specimen promotion booklet that would release a new typeface of our choice, highlighting its history, structural characteristics, weight and usage. This promotional material must fascinate a sharp-witted design audience.
[APPROACH]
For my typeface I chose NeoTech, which was designed by Sebastian Lester for a client at
the agency. I decided to design the NeoTech typeface using bright and vibrant colors that could be overlaid and, I created interesting colors and made the type bold and dramatic. This booklet presents the typeface as a bold and vibrant personality, one that is original and stands out in the crowd.
[OBJECTIVE]
Create a motion graphics animation for international publication called IdN magazine. It’s a magazine for creative people on a journey to boost and unify the design community in the world. This animation should demonstrate an interactive concept of some piece of content, theme, or feature of IdN. It should be an animated promo that showcases a theme from that month’s issue, or prototype of some sort. It should work within the IdN look and feel.
[APPROACH]
The issue I used was type and lettering issue, I was going with the idea of how I feel the
fear but still do it anyway representing it with hand lettering. I got inspired by a director and designer of a film title sequence, Kyle Cooper. I tried to balance being visually dark and powerfully conveying the message it carried. The final deliverable was a Quicktime movie, 2048X1536 px portrait.
[OBJECTIVE]
Create a motion graphics animation for international publication called IdN magazine. It’s a magazine for creative people on a journey to boost and unify the design community in the world. This animation should demonstrate an interactive concept of some piece of content, theme, or feature of IdN. It should be an animated promo that showcases a theme from that month’s issue, or prototype of some sort. It should work within the IdN look and feel.
[APPROACH]
The issue I used was type and lettering issue, I was going with the idea of how I feel the
fear but still do it anyway representing it with hand lettering. I got inspired by a director and designer of a film title sequence, Kyle Cooper. I tried to balance being visually dark and powerfully conveying the message it carried. The final deliverable was a Quicktime movie, 2048X1536 px portrait.
THE DARKEST
BRUTALITY
[OBJECTIVE]
Chose a film director and his selected works to design a hypothetical film festival. Discover the common thread that appears in each of the directors films and conceptualize a visual system. The objective is to coordinate a complex set of materials that must function together as a whole.
[APPROACH]
The director that I chose was David Fincher. He was essentially the first mainstream feature director to emerge from the world of music videos. The project attempts to incorporate the artistic expression of David Fincher and five of his films (Seven, Fight Club, Zodiac, The Girl with the Dragon Tattoo, Gone Girl). His movies usually have a complex character faced with a harmful adversary whose violence compels them to seek truth and justice. It usually ends with the main character uncovering the mystery but at a high cost and without justice. I took portraits and then taped the pictures and pealed them to create a distressed texture to illustrate uncovering a mystery but it's still not revealed.
